Márk Rékai
In this interview by Márk Rékai, Karol Radziszewski and Gyula Muskovics reflect on the exhibition titled Sinners, their research process and the upcoming Budapest issue of DIK Fagazine, which is closely connected to the exhibition and will launch on November 28 at the Trafó House of Contemporary Arts.
Oli Horváth
We didn’t create an auditorium in a traditional sense, and this allowed the space to turn into an open, fluid ritual, where anyone could enter or leave at any time. This approach allows participation to be based on active consensus – not coercion, but choice. The viewer’s freedom to decide from which position to watch or “do” cannot be controlled by the curator or the performer.
Patrick Tayler
„To avoid everything happening at once in an all-encompassing, divine blend of dark, immaterial mud and half- or non-sensible, primal chaos over which fleeting, elusive spirits float, I have to fracture and light up a safety match —called lucifer in Dutch— and do one thing at a time!” – Robert Roest
Patrick Tayler
“MIAU!” “♥♥♥!” “FUCK OFF!” “VROOOM!” “⟡ ⟡ ⟡!” “XXX!”
Patrick Tayler
Jon Burgerman’s mesmerising stand-alone figures and choirlike paintings are magnetically endearing but also confrontational. Their intense features pulsate ferociously, finding ways to get imprinted behind your eyelids. His work dissolves categories, oscillating between genres and functions, creating new audiences, viewers and fandoms. To learn about the complexity of the issues at hand, I talked with the multifaceted artist who is also one of the exhibitors of the thematic group show titled The Cuteness Factor.