Patrick Tayler
„To avoid everything happening at once in an all-encompassing, divine blend of dark, immaterial mud and half- or non-sensible, primal chaos over which fleeting, elusive spirits float, I have to fracture and light up a safety match —called lucifer in Dutch— and do one thing at a time!” – Robert Roest
Patrick Tayler
Batykó carefully calibrates the extent to which he unleashes his painterly toolkit, level and mode of articulation. In the following interview, we discussed this exact vein of visual engineering. We touched upon the artist’s latest exhibitions, current preoccupations and how the last one-and-a-half decade has informed his cutting-edge experiments.
Patrick Nicholas Tayler
Ákos Ezer’s current exhibition presents the artists’ most recent artworks that depict the reoccurring motif of the stumbling man. The methods which Ezer uses to construct his paintings are partly inspired by the technical tools of kitsch, neo-expressionistic figurative tendencies and digital modelling. These form an inherent part of the discourse surrounding contemporary painting and also define Ezer as an artist deploying multiple visual strategies.