Orsolya Vető Lia
The traditionally slow genre of painting is capable of challenging the inhumanly fast circulation of digital imagery. Painting interacts with the digital by appropriating, and formally codifying its heterogeneous and ephemeral visual experiences. While utopian notions of the correlation between the human and the machine are becoming blurred, the digital is restructured as something increasingly real and thus permeating the nervous system of contemporary painting.