Oli Horváth
We didn’t create an auditorium in a traditional sense, and this allowed the space to turn into an open, fluid ritual, where anyone could enter or leave at any time. This approach allows participation to be based on active consensus – not coercion, but choice. The viewer’s freedom to decide from which position to watch or “do” cannot be controlled by the curator or the performer.
Gábor Ébli
The common denominator of the Collection’s segments is art patronage. International specialist Kinga Petro and composer, music director Philippe de Chalendar do not merely collect artworks; they collaborate with artists, support their international mobility, and foster the creation of new pieces. Their role as patrons is rewarded through the Collection itself.
Bence Kala
A jumble of too many ideas on one sheet is also thrown away — it lacks clarity. And sheets that know too much are thrown away. Good drawings are plain, simple, and reduced to the essentials; they have breadth.
Patrick Tayler
„To avoid everything happening at once in an all-encompassing, divine blend of dark, immaterial mud and half- or non-sensible, primal chaos over which fleeting, elusive spirits float, I have to fracture and light up a safety match —called lucifer in Dutch— and do one thing at a time!” – Robert Roest